{"id":160,"date":"2020-10-02T03:25:02","date_gmt":"2020-10-02T03:25:02","guid":{"rendered":"http:\/\/chintasutra.com\/english\/?p=160"},"modified":"2020-10-02T03:46:34","modified_gmt":"2020-10-02T03:46:34","slug":"four-poems-by-nahyian-elias","status":"publish","type":"post","link":"https:\/\/chintasutra.com\/english\/four-poems-by-nahyian-elias\/","title":{"rendered":"Four poems by Nahyian Elias"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #ff0000;\"><strong>Hometown in Bangladesh<br \/>\n<\/strong><\/span>cardamom-scented deep summer, a slack coyote through the plains, hungers\/I hear it hunting\/I hear me haunting\/open shuttering thatched huts\/coin-sized raindrops\/the evenings, lavender and moody\/gardenias wilting, their bodies hot\/I lick chili and salt clean from a plate\/my grandmother pours us two cold thin glasses of thick mango juice\/she was born there\/the rising heat stretching up to hug her, I think of comfort\/it creeps and sticks and shimmers onto my skin\/she laughs, rich and full of meaning\/the rickety red and gold rickshaw to her sister\u2019s home\/the rain now in phantom glass sheets\/I was born there, too\/I run in, a basket of guavas balanced on my elbows\/my grandmother\u2019s spotted wrists, each adorned with a gold bangle\/the soft underbelly of her arms, not seeing enough sun\/she doesn\u2019t like America\/she cries here\/home smells like jackfruit\/lime\/ honey\/in the morning the land is dry and barren again\/burnt hard from the heat\/the feet of the workers calloused and rough\/she sings\/the earth thirsts for the monsoon\/like there is something dark brewing in the roots<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ff0000;\"><strong>Admitting the Dream<\/strong><\/span><br \/>\nI was the girl with dirt on her feet,<br \/>\nrunning on ancient fertile lands.<\/p>\n<p style=\"text-align: justify;\">Uncontained, like the mouth of<br \/>\nthe flower parting and closing,<\/p>\n<p style=\"text-align: justify;\">wrinkling with the hour. I leave<br \/>\nmy womanhood somewhere, shell off<\/p>\n<p style=\"text-align: justify;\">the wizened skin, remove the coarse<br \/>\nbrine from my hair. Eat with my hands.<\/p>\n<p style=\"text-align: justify;\">Rinse the salt from the legs. The villagers<br \/>\nwatch me come home with dead mean<\/p>\n<p style=\"text-align: justify;\">only. The rest of the girls in the village<br \/>\nbecome wives while they are still young<\/p>\n<p style=\"text-align: justify;\">and I grow old and more terrifying and<br \/>\nmore beautiful. I wipe the blood clean.<\/p>\n<p style=\"text-align: justify;\">I knife my body like a sharp tooth, vacating<br \/>\nall desire, thinking of biting into fruit.<\/p>\n<p style=\"text-align: justify;\">I veer my want into the want, dulling my highs<br \/>\nand sleeping on the wet banks of the river.<\/p>\n<p style=\"text-align: justify;\">I was the girl with dirt on her feet, and they<br \/>\ntalk about me. I tore my way into the reach.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ff0000;\"><strong>Survival<\/strong><\/span><br \/>\nIf you think about it, there are<br \/>\n<span style=\"color: #ffffff;\">.<\/span>\u00a0 \u00a0 \u00a0 \u00a0only two ways the body knows<br \/>\n<span style=\"color: #ffffff;\">.\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0how to breathe.<\/p>\n<p><span style=\"color: #ffffff;\">.\u00a0<\/span> \u00a0 \u00a0The first at the pulchritude of waking,<br \/>\nfidgeting with tender<\/p>\n<p>for mercy at the feet<\/p>\n<p>and then, with the mouth<br \/>\n<span style=\"color: #ffffff;\">.\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 settling for a bottom piece.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0I ripped at my brown skin<br \/>\nuntil I learned how quickly<\/p>\n<p><span style=\"color: #ffffff;\">.\u00a0<\/span> \u00a0 \u00a0 \u00a0 my skin knew to grow back\u2014<br \/>\nholding the weight of generational<\/p>\n<p><span style=\"color: #ffffff;\">.\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 carnage. I breathe.<br \/>\nUnyielding like flame. Reeling in<\/p>\n<p>to take in the sun. Wishing away<br \/>\nwhite. Coaxing the planets<br \/>\ninto alignment during the Disease.<\/p>\n<p><span style=\"color: #ffffff;\">.\u00a0<\/span> \u00a0 \u00a0I read somewhere that our cosmos intertwines<br \/>\nlike a baby in its mother, bleeding<\/p>\n<p>like one being. That would explain<br \/>\n<span style=\"color: #ffffff;\">.\u00a0 \u00a0<\/span> \u00a0our mutual tendencies to dream.<\/p>\n<p>It would explain why, then,<br \/>\nwe are in<br \/>\nand in everything, we are.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ff0000;\"><strong>Generational Curses<br \/>\n<\/strong><\/span>Hand me<br \/>\nthe cord to slit,<br \/>\nthat ancient<br \/>\nbinding thing<\/p>\n<p style=\"text-align: justify;\">Give me your gentle.<\/p>\n<p style=\"text-align: justify;\">Promise to throw<br \/>\naway the keys.<br \/>\nThrow away<br \/>\nthe haunted<\/p>\n<p style=\"text-align: justify;\">and scream for something<\/p>\n<p style=\"text-align: justify;\">new instead. Hunt for new bulbs<br \/>\nbut keep the roots intact.<br \/>\nWear the sari<br \/>\nin every color but red.<\/p>\n<p style=\"text-align: justify;\">Gasp into the void<br \/>\nthis time with a fearless<br \/>\nthundering heart.<\/p>\n<p style=\"text-align: justify;\">Gully the tides into new lands<br \/>\ninto unborn third spaces.<\/p>\n<p style=\"text-align: justify;\">Halt the machine.<br \/>\nGather the saffron and rose.<\/p>\n<p style=\"text-align: justify;\">Take what you want<\/p>\n<p style=\"text-align: justify;\">from it<br \/>\nthis time.<br \/>\nLeave<br \/>\nthe rest behind:<br \/>\nyou are allowed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hometown in Bangladesh cardamom-scented deep summer, a slack coyote through the plains, hungers\/I hear it hunting\/I hear me haunting\/open shuttering thatched huts\/coin-sized raindrops\/the evenings, lavender and moody\/gardenias wilting, their bodies &hellip; <\/p>\n","protected":false},"author":2,"featured_media":162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[66],"class_list":["post-160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","tag-nahyian-elias"],"_links":{"self":[{"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/comments?post=160"}],"version-history":[{"count":2,"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/posts\/160\/revisions"}],"predecessor-version":[{"id":163,"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/posts\/160\/revisions\/163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/media\/162"}],"wp:attachment":[{"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/media?parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/categories?post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chintasutra.com\/english\/wp-json\/wp\/v2\/tags?post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}